05-30-2006, 08:42 PM
[size="4"]Language of the birds[/size]
A language of the birds, a mystical, perfect or divine language, or a mythical or magical language used by birds to communicate with the initiated , is postulated in mythology, medieval literature and occultism. From the Renaissance, it was the inspiration for some magical a priori languages, in particular musical languages. Whistled languages based or constructed on or articulated natural languages used in some cultures are sometimes also referred to, and compared with, the language of the birds.
Birds played an important role in Indo-European religion, used for divination by augurs, and according to a suggestion by Walter Burkert, these customs may have their roots in the Paleolithic when during the Ice Age, early humans used to look for carrion by observing birds.
According to Apollonius Rhodius, the figurehead of Jason's ship, the Argo, was built of oak from the sacred grove at Dodona and could speak the language of birds. The language of birds in Greek mythology may be attained by magical means.
Democritus, Anaximander, Apollonius of Tyana, Tiresias, Melampus and Aesopus were all said to have understood the birds. The concept is also known from many folk tales (including Welsh, Russian, German, Estonian, Greek), where usually the protagonist is granted the gift of understanding the language of the birds either by some magical transformation, or as a reward for some good deed by the king of birds. The birds then inform or warn the hero about some danger or hidden treasure. In Celtic mythology, birds usually represent prophetic knowledge or bloodshed (especially crows). Morrigan adopted the shape of a bird to warn the Brown Bull. Echoing stories of the Edda and the Mabinogion, Richard Wagner's Siegfried understands the birds after he tasted Fafner's blood.
In Sufism, the language of birds is a mystical language of angels. The Conference of the Birds (mantiq at-tair) is a mystical poem of 4647 verses by the 12th century Persian poet Farid ud-Din Attar [1].
Francis of Assisi is said to have preached to the birds.
In medieval France, the language of the birds (la langue des oiseaux) was a secret language of the Troubadours, connected with the Tarot, allegedly based on puns and symbolism drawn from homophony, e. g. an inn called au lion d'or "the Golden Lion" is allegedly "code" for au lit on dort "in the bed one sleeps" [2] (note that this particular pun cannot be medieval, since final t was pronounced until Middle French, c.f. e.g. the 14th century loanword bonnet).
In the Talmud (Louis Ginzberg, Legends of the Bible, 1909), Solomon's proverbial wisdom was due to his being granted understanding of the language of birds by God. In Kabbalah, Renaissance magic, and alchemy, the language of the birds was considered a secret and perfect language and the key to perfect knowledge, sometimes also called the langue verte, or green language (Jean Julien Fulcanelli, Heinrich Cornelius Agrippa de occulta philosophia).
Compare also the rather comical and satirical Birds of Aristophanes and Parliament of Fowls by Chaucer.
"The language of the birds" (Die Sprache der Vögel) is a 1991 German movie. Jean Sibelius composed a wedding march titled "The language of the birds" in 1911.
Recent research into bird song has revealed a certain amount of combinatorial phonology, an aspect shared with human languages.
A language of the birds, a mystical, perfect or divine language, or a mythical or magical language used by birds to communicate with the initiated , is postulated in mythology, medieval literature and occultism. From the Renaissance, it was the inspiration for some magical a priori languages, in particular musical languages. Whistled languages based or constructed on or articulated natural languages used in some cultures are sometimes also referred to, and compared with, the language of the birds.
Birds played an important role in Indo-European religion, used for divination by augurs, and according to a suggestion by Walter Burkert, these customs may have their roots in the Paleolithic when during the Ice Age, early humans used to look for carrion by observing birds.
According to Apollonius Rhodius, the figurehead of Jason's ship, the Argo, was built of oak from the sacred grove at Dodona and could speak the language of birds. The language of birds in Greek mythology may be attained by magical means.
Democritus, Anaximander, Apollonius of Tyana, Tiresias, Melampus and Aesopus were all said to have understood the birds. The concept is also known from many folk tales (including Welsh, Russian, German, Estonian, Greek), where usually the protagonist is granted the gift of understanding the language of the birds either by some magical transformation, or as a reward for some good deed by the king of birds. The birds then inform or warn the hero about some danger or hidden treasure. In Celtic mythology, birds usually represent prophetic knowledge or bloodshed (especially crows). Morrigan adopted the shape of a bird to warn the Brown Bull. Echoing stories of the Edda and the Mabinogion, Richard Wagner's Siegfried understands the birds after he tasted Fafner's blood.
In Sufism, the language of birds is a mystical language of angels. The Conference of the Birds (mantiq at-tair) is a mystical poem of 4647 verses by the 12th century Persian poet Farid ud-Din Attar [1].
Francis of Assisi is said to have preached to the birds.
In medieval France, the language of the birds (la langue des oiseaux) was a secret language of the Troubadours, connected with the Tarot, allegedly based on puns and symbolism drawn from homophony, e. g. an inn called au lion d'or "the Golden Lion" is allegedly "code" for au lit on dort "in the bed one sleeps" [2] (note that this particular pun cannot be medieval, since final t was pronounced until Middle French, c.f. e.g. the 14th century loanword bonnet).
In the Talmud (Louis Ginzberg, Legends of the Bible, 1909), Solomon's proverbial wisdom was due to his being granted understanding of the language of birds by God. In Kabbalah, Renaissance magic, and alchemy, the language of the birds was considered a secret and perfect language and the key to perfect knowledge, sometimes also called the langue verte, or green language (Jean Julien Fulcanelli, Heinrich Cornelius Agrippa de occulta philosophia).
Compare also the rather comical and satirical Birds of Aristophanes and Parliament of Fowls by Chaucer.
"The language of the birds" (Die Sprache der Vögel) is a 1991 German movie. Jean Sibelius composed a wedding march titled "The language of the birds" in 1911.
Recent research into bird song has revealed a certain amount of combinatorial phonology, an aspect shared with human languages.